This chapter examines Richard Marsh’s treatment of the animalistic in his Imperial Gothic works, The Beetle: A Mystery (1897), The Goddess: A Demon (1900), and The Joss: A Reversion (1901). I show how, in each of these novels, the appearance of a colonial idol on the British landscape sets up a transgressive space between the colonial and the animalistic, and then connects it to the figure of the gender-subversive Victorian New Woman. Threading together these socially marginalised figures of the racial-, gender-, and animalistic-other, the novels strategically provide for an implicit questioning of the sociopolitical hierarchies of race, gender, and sexuality. I demonstrate how it is in the overlap of the fears of the colonial animal and the fears surrounding the woman, more specifically the iconically rebellious New Woman, that the threat of the animal becomes most intense, viscerally challenging the hierarchies of white middle-class patriarchy often through a near-erotic proximity of the New Woman and the colonial animal. © 2020, The Author(s).