This article reads how obesity in Sapphire’s Push (1996) becomes a composite cultural metaphor for Gothic excesses. By critically analysing Claireece Precious Jones–the adolescent overweight African American protagonist of Push–with the help of contemporary Gothic theories of horror and excess this article makes a case for interpreting her fat body as a repository of cultural hatred, anxieties, and violence characterising the intersectional oppressions of appearance, gender, class, and race. Further, with the help of critical race theories, fat studies scholarship, and social studies research on poor black populations it reads how Precious’ obesity is not merely a physical condition but also a symbol of wasteful excesses that is vilified and abused, both sexually and otherwise, by her own family as well as the society at large. Appropriately, it suggests that Precious’ obesity coupled with her mental derangement becomes symptomatic of a Gothicized world which belies promises of progressivism and harbours uncontrollably violent forces against disenfranchised fat black women. This article, accordingly, focuses on Precious’s overweight body as a site and symptom of Gothic excesses that provides a vocabulary for examining the horrific rationalities celebrated by contemporary America. © Australasian Universities Language and Literature Association 2021.